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Gregg Palazzolo: Creative Titan

According to Gregg Palazzolo, texture is the most important principle in design. Whereas many would assume that texture means pattern or repetition, Gregg feels otherwise. True texture comes when you draw from a rich and diverse pool of inspiration. Like his grandparents who left Italy and embarked on a journey to a new land, Gregg has learned to enhance new endeavors by drawing on the texture that exists around him.

“The art of listening has become a secret weapon. That’s number one. Number two? Look at everything.”

Gregg’s talent was obvious at a young age. He recalls being entered in a specialty arts program at the age of three. His story, however, is not one of fate or immaculate genius; it’s a story about grit. Gregg is not one to presume that natural ability (though significant in his case) is enough to make one great. It’s grit (not just talent) that caused him to open his own commercial art business while still in art school. It’s grit that jumpstarted his success as a designer. It was grit that allowed Gregg to become great.

“Fail, flail, do all of the above. It adds texture to everything. That’s the forgotten design element. It’s not just a pattern. It’s the grit– the nuance that gets at you. It’s the human element.”

One might ask if grit is distributed fairly to everyone, and that’s a fair question. The immense value Gregg Palazzolo finds and extracts from his own heritage is undeniable. The stories passed down from his Italian father and Polish mother are rich with detail and fit for creative inspiration. The tales of winemakers, cheese producers, and goat shepherds who emigrated in search of a better life serve as the most marvelous food for thought. Nevertheless, it requires a certain strength of spirit to take the texture you’ve been handed and apply it to something productive. That’s what Gregg has done.

“I hire people who are kind, good, and interesting. And interesting tops the list.”

Above and beyond being the owner and founder of Palazzolo Design, Gregg has managed to find endeavors that are worthy of the texture he applies to them. He produced a book containing tens of thousands of photographic portraits for ArtPrize, he helped found a distillery, and he launched a food magazine, but not one of these things is really his end goal. Some people might be satisfied with reaching a level of success, but Gregg is in it for the texture. And texture is not just motivational. It’s not just the fuel that helps you accomplish a task. For Gregg, the texture itself is the reward. Like pages in a book, experiences in life are not simply a means to an end; they are an end unto themselves. Let’s do whatever we can to be like Gregg, and embrace the texture around us.

“Too many are missing out on the experience by finding the answer too quickly.”

Gregg Palazzolo is a revered creative citizen and the founder of Palazzolo Design in Ada, Michigan.

David Rosenberg: Creative Titan

Creativity can affect people in many different ways. For some, it guides them, for others it inspires them. For David Rosenberg, it drives him. He allows his passion for advertising and creativity to fuel his work, his interactions, and his approach to the industry as a whole.

Everything comes with hard work. But if you love something as much as I love to write, you can really succeed in that.

David is the Chief Creative Officer and a partner at an advertising agency in Toronto, Ontario called Bensimon Byrne. He’s been in the industry for 28 years. During his second year at the University of Toronto, he came to the revelation that he was destined for copywriting. His classmates were on track to become doctors, dentists and lawyers, but he had his sights on advertising. With a hand drawn portfolio and a lot of determination, David visited agencies and departments stores around the city, as he tried to find a job. Eventually, he landed a gig – writing coupons and fliers for Woolco-Woolworth.

This burning desire kept building on itself. I knew I needed to do this, to break into this industry.

After paying his dues at his first career stop, David landed a position at a small advertising agency, and worked his way up from there. He recalled one pivotal experience along the way was pitching for the IKEA account when he worked for Geoffrey Roche. It was an intense experience, which showed him that passion must be applied with diligence and determination.

Geoff really worked me hard. We pitched our asses off, and won the IKEA account.

After connecting with Jack Bensimon and Peter Byrne, David’s career evolved. He became Creative Director, then CCO. Part of his role at Bensimon Byrne is to champion good ideas. When there’s something he loves, he gives credit where it’s due, and creates an environment for those ideas to thrive. David’s energy and passion brings vibrant life to the clients and employees at Bensimon Byrne, an agency that’s known for valuing good character and good talent in equal measure.

I’m pretty passionate about an idea when I think it’s moving in the right direction, and I hope I inspire people to feed off that passion and explore the idea to it’s full extent.

If permitted, passion can drive people to stress or frustration, but that’s not the case with David. He channels his passion to support others and encourage them. One of the things he enjoys most is watching his children explore their own creative outlets as they grow.

We’ve never pushed our kids. We’ve guided them, but we’ve let them explore their own passions. That’s why it’s astonishing to me that they’re as passionate as they are about their own creative talents.

In professional sports, the fans play an important role. They cheer and scream, and champion the team. That’s David. He’s that exuberant, passionate fan that cheers for creativity in himself, the brands he works for, and the people he leads.

David Rosenberg lives in Toronto, Canada.
He has a supportive wife, three creative kids, and a winning smile.

Creative Nugget #4: Turn The Other Cheek

Creatives are used to getting punched. We present our work to bosses and clients, and they give their opinions. Sometimes the opinions aren’t favorable, and that’s putting it mildly. Bracing yourself for impact is the nature of creative business.

Most critics (perhaps justifiably) forget there are people behind the work. Each piece of creative is lush with a layer of emotion that sits just below the surface. Creative people put their hearts into their work, and it’s difficult for us to separate our own feelings, hopes and opinions. Regardless of whether or not it’s healthy, the point stands–creatives are invested in their work. Ideas, headlines, and photos are the offspring of sensitive souls.

Unfortunately, reality doesn’t negate necessity. In other words, creatives need to learn how to deal with their critics despite their feelings. Conventional wisdom would tell creatives to grow thick skin, but my advice is the opposite. I find that thick skin leads to callousness. It’s true in life, as in the metaphor. Instead of getting tougher, I suggest becoming more gracious. Whenever I’m in a situation where my work is being dismembered, my first instinct is to defend it; it’s my baby after all. If, however, you can manage to turn the other cheek and respond with grace, I truly think you’ll be better off. Graciousness comes across positively in two key ways: first, it will maintain a spirit of collaboration and comradery, and secondly, your critics will relate with your ability to think rationally (less emotionally) about the work.

Greg Reese: Creative Titan

Creativity can be learned, but only in part. So much of being a creative individual hinges on genetic makeup, internal states of being, and a person’s basic tendencies. Greg Reese is a copywriter who embraces his nature. His work, his decisions, and his approach to life seem to be driven by an overflow of ideas, and an innate fondness for creative output.

 

I will initially approach any project, and spin very wild – create tons of ideas, and then I’ll come back and start honing.

 

Years ago, Greg had an opportunity to move up—in his career and his geography—when he was offered the position of Creative Director at an advertising agency in Toronto. After giving his all in this new role, in a new land with his family in tow, Greg had a realization: he had become a manager. Instead of making things, he was merely making decisions. This wasn’t what he wanted, so he picked everything up and returned to what he loves: writing.

 

In some ways, being a manager gets you further from the creative process…you end up selling the work instead of doing it.

 

Back in West Michigan, Greg wanted to get back to the kind of work he loved. He found more time for his family by working from home, and focused on the type of work he wanted to do. In following his own internal tendencies, he was able to find a new level of happiness. His decision to move back, his insistence on family time, and even his creative process speak of someone who listens to their gut. Always ready to explore, Greg can find creative gold even in bad ideas.

 

For me, there’s a huge value in lesser or discarded ideas. They can lead to places you wouldn’t normally go.

 

There’s a lot we can learn from Greg. To summarize it in one word, it’s trust. A creative person needs to have the confidence and boldness to trust their own compass. Next time you approach a project or a fork in the road, don’t get stuck overanalyzing which way to go. Trust your gut.

 

As soon as I get a creative brief, I want to pounce. I’m pretty rash. I start turning over ideas almost as soon as I get it. I’m no good at waiting.

 

Greg is a freelance copywriter.
He lives in East Grand Rapids with his wife, Carolyn, and their four kids.